Stream Nox Aurumque by ericwhitacre from desktop or your mobile device. Lyrics to ‘Nox Aurumque’ by Eric Whitacre: Gold, Tarnished and dark, Singing of night, Singing of death, Singing itself to sleep. And an angel dreams of. Lyrics for Nox Aurumque (Night and Gold) by Eric Whitacre. Aurum, (Gold) Infuscatum noctis, (Tarnished and dark) Canens noctis, (Singing of.
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The composer conducting, in From Wikipedia, the free encyclopedia.
Gold, Singing of wings, Singing of shadows. Volemus iterum, Alte supra murum; Angeli renascentes et exultantes as alas Aurararum, Aurorum, Somniorum.
Nox Aurumque by ericwhitacre | Eric Whitacre | Free Listening on SoundCloud
Let us soar again, High above this wall; Angels reborn and rejoicing with wings made Of dawn, Of gold, Of dream. You are too heavy to carry, Too heavy for flight.
I had to settle at times for some Latin that strayed from what Cicero might have written, but which stayed certainly within the somewhat looser realm of Medieval usage. Gold, Singing of wings, Singing of shadows.
Eric Whitacre – Nox Aurumque Lyrics
This page was last edited on 17 Novemberat This chord is really the very first thing I wrote for Paradise Lostway back in January of Retrieved from ” https: Aurum, Canens alarum, Canens umbrarum. Silvestri took on the challenge with all good graces, though in his own words he begs forgiveness for the number of times he deviates from solid Ciceronian grammar into quasi-medieval usage in order to follow the dictates of Whitacre ‘s most-favored vowels and already-composed melodies and syllabic counts.
The cello plays it here the descending octatonic line at the end of Eldest of All: The version for mixed choir is part of Whitacre’s project Virtual Choir. After this uplifting possibility, a third meditation on gold mediates between the consonant and dissonant harmonies, as if literally tarnished and unclear; the final musical gestures are two angelic songs of incongruously flapping wings in the tenors and shadows depicted in a disconcerting bimodal cadence, simultaneously in both major and minor modes.
Et angelum somnit aurorarum et bellorum, Saeculorum aurorum fundit lacrimas, Lacrimas rerum bellorum.
Nox Aurumque – Blog – Eric Whitacre
Rainy Day Relaxation Road Trip. Eric Whitacre composed his Nox aurumque Night and gold as a companion piece to his earlier Lux aurumque Light and gold. It was published by Walton Music in Retrieved 21 May He communicated impressionistic images of an angel, the emotions of that angel, and other evocative images, darker than usual for him. It is set for SATB ; all parts are divided in two for most of the time, a solo soprano is employed in measures 5 to 7, and the soprano is divided in three parts beginning in measure Aurum, Infuscatum et torpidum Suscita!
Second, Eric had strong ideas about the meaning of the text. The angel in this instance has bright golden colors and remains somewhat somnolent, but dreams of “war” “bellorum,” with its associated images of tears, gilded shields, and swords set to a wonderfully ominous set of deep dissonances and even polytonalities.
Archived from the original on 12 May The cello plays the theme as underscore:. Gestu graves nimium, Graves nimium volatu. Retrieved 22 May Whitacre came to his poet this time with not just an English text to render in Latin, but with an aesthetic and emotional concept — complete with musical phrases already written — and asked Silvestri to write an original Latin poem to embody them.
No doubt there will be quibblers who will question the choices I have made.
Nox Aurumque, for chorus
Gold, Tarnished and dark, Singing of night, Singing of death, Singing itself to sleep. Nox Aurumque Night and Gold is the piece that just received its premiere in Minneapolis last month. Melt from weapon to wing! He asked his poet friend Anthony Silvestri, however, first to translate the English poetic text into sounds of Latin and wrote music for that Latin version and its “purer” vowels.
And an angel dreams of sunrise, And war. Third and aurmuque challengingthe text had to flow effectively in Latin. The cello plays it here the descending octatonic line at the end of Eldest of All:.