LOUIS ANDRIESSEN HOKETUS PDF

Hoketus is a minimal composition by Louis Andriessen that premiered in The group that played during the premiere remained together to perform other. Louis Andriessen. Hoketus for mixed ensemble. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Listening to Dutch composer Louis Andriessen’s Hoketus on my stereo could never convey the full flavor of this spatially designed piece, so I.

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Genre Chamber Music Classical. These two chords are replaced a few times until finally a melody emerges; this is also divided up between the two groups of instruments. Andrieasen was definitely a section of the audience that came sndriessen this.

Romantic Evening Sex All Themes. At this point, the music has been going nonstop for so long that it is actually stunning when Andriessen introduces a pause, just before the music’s final elaboration, which crescendos into one last solid chord. A daunting prospect, but I knew which one I had to attend.

Wall Street Goes in Hocket | Dusty Wright’s Culture Catch

Drinking Hanging Out In Love. December Learn how and when to remove this template message. For the musical effect, see hocket. Hoketus begins with two nearly identical chords separated by pauses, and with andrieswen chord played only by one of the two groups. Jazz Latin New Age. The texture was sparse at first; more beats accreted, and soon the music became denser, but the spatial separation keeps it from being solid. These two chords are then grouped into three-chord groups, then groups of four, then six chords; the piece moves onwards from there, without changing the chords, the instrumentation, or who’s playing what.

Soon, dramatically, there was a brief but, in context, shockingly extended pause on a single held low note, solo; it seemed to act as a pivot.

An ensemble of similar instrumentation called Icebreaker was formed in YorkEngland inand continues to perform works from the Hoketus repertoire. The rhythms then became much denser. Louiw is two keyboardists, one flutist, one conga player, and one electric bassist on each side, but with no sustained notes except at one specific and brief point sounded like it was all tuned percussion.

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Finally, the composer introduces rhythmic accents, which had been absent for the first part of the work, and eliminates the pauses, providing more opportunities for rhythmic manipulation.

Hoketus for mixed ensemble

Like many minimalist compositions, it offers very little actual music, preferring instead to rhythmically manipulate and extend a small amount of material. Then a new pattern kicked in, and for a little while the piece seemed to reverse its development in a very condensed way until a hometus but abrupt climax ended the piece.

From Wikipedia, the free encyclopedia. Unsourced material may be challenged and removed. As soon as the performance kicked off, the location imprinted a special effect on it: I don’t know whether he was dissuaded from continuing by the organizers or just naturally knocked off work because it was lunchtime, but Andriessen’s score was not augmented after all.

Speaking of lunchtime, the “audience” for this was partly intentional and partly, so to speak, accidental: These machinations may seem cold and sterile from a schematic description, but even as it annoys, Hoketus commands attention.

Hokeyus help improve this article by adding citations to reliable sources. Wall Street Goes in Hocket Topics.

Patterns phased and snapped into new perspectives kaleidoscopicalliy. Bang on a Can Plays Louis Andriessen. I saw one person start rhythmically bobbing in place — the steady, insistent beat was infectious, at least for the believers.

The group disbanded in Rainy Day Relaxation Road Trip. This article does not cite any sources. It was composed between and for a minimalist music project at the Royal Conservatory of the Hague, where Andriessen taught.

Hoketus considered itself a collective and set a number of rules for itself, rules so stringent that taken together they could be considered a manifesto. At the start of Hoketuspitch information is minimal, just two notes — it’s all about rhythm and power.

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The ancient nature of this method is somewhat undermined by the work’s instrumentation, which calls for two groups, each containing panpipes, alto saxophone, piano, electric piano, bass guitar and conga drums. The group had an aesthetic bias toward works that were heavy, loud, dissonant, and brutal, showing influence from both hard rock and the works of Igor Stravinsky one of Andriessen’s favorite composers.

Contemporary classical music ensembles Dutch musical groups Musical groups established in establishments in the Netherlands. Workers Union De Materie Holtje is a Brooklyn-based poet and composer whose newest project is setting James Joyce’s Pomes Penyeach for singer and cello.

Louis Andriessen: Mausoleum; Hoketus

The audience, perhaps a couple hundred people, erupted into applause. Hoketus Orkest de Volharding. Introspection Late Night Partying.

Personal expression was not permitted; melodies could only be built through the interlocking of andrieasen notes or chords, played in alternation between the groups using the Medieval technique of hocket hence the group’s name. AllMusic relies heavily on Andruessen. Streams Videos All Posts. Andriessen ‘s primary method for this manipulation and extension is the eponymous hocket — a medieval technique in which consecutive notes of a rhythmic or melodic motif are alternated between instruments or voices.

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It is all hypnotically spare and lucid. Share on facebook twitter tumblr. Louiss pitches eventually shifted; still just two, but farther apart. Andriessen then introduces another set of two somewhat brighter-sounding chords, which are run through the same gamut of changes and variations. The ensemble’s instrumentation and overall artistic aesthetic was quite radical; it was made up of two equal groups of instruments two pianos, two Fender Rhodes electric pianostwo sets of panpipestwo saxophonestwo electric bass guitarsand two percussionists.